800
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These works mirror the dilemma of a Iranian society which is in the process of shedding its old skin and growing a new one, caught in a limbo, much like the Camus-like stranger who has lost his origins and has yet to attain the promised land. This identity crisis which permeates the society in all facets of life is exemplified in a clash within a culture that is feeling its way, reaching out for change, and yet is inward looking. It is driven by traditions seemingly irreconcilable with the exigencies of a “modernity” to which it aspires, the intricacies of which, more often than not, it has failed to fully internalize.
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